Michael has been involved in organized crime all of his adult life, working for his friend and the gang leader Ronnie. When Ronnie begins to hint at retirement, Michael too begins to imagine another life. Because, for the first time in his life, Michael is in love. For the first time in his life, he sees beyond the day-to-day, he sees a future: something to win and something to lose - Diana.

The camera explores the attempt to create a film with Aisha, a Palestinian girl who uses a camera to document her daily life in Hebron, a city divided by apartheid where various forms of daily oppression persist. Aisha captures powerful and personal footage depicting her and her family's resilience under the siege they endure within the city, carrying it with her wherever she goes around the world.

A Sudanese family fees their country, seeking asylum in Thailand. They meet a young flmmaker, newly returned after a decade away from home. Despite their uncertain future, they form a heartfelt bond. They decide to make a flm together.

A playful and virtuoso exploration of the fundamentals of the dance/image relationship, through the sensitivity and emerging practice of dance students. A collective research project in which the intense beauty of a time of innocence verges on the anguish of the world. 　　[FR] Exploration joueuse et virtuose des fondamentaux de la relation danse / image, à travers la sensibilité et la pratique naissante d’étudiants et d’étudiantes en danse. Une recherche collective où la beauté intense d’un temps d’innocence frôle l’angoisse du monde.

T. and T. is a Canadian-produced television series, in production from 1987 to 1990. The series premiered in first-run syndication in January 1988, later moving to new episodes on the Family Channel in 1990. It was a starring vehicle for Mr. T, after the cancellation of The A-Team in 1986.The series’ theme song was performed by Merry Clayton.The opening voice-over set-up the premise:

DSI comes to Thee’s house to investigate about the unidentified corpse found in an abandoned building. The gun of Thee’s father, a military general, is the only link DSI has.

Japan, 1943, during World War II. Young Suzu leaves her village near Hiroshima to marry and live with her in-laws in Kure, a military harbor. Her creativity to overcome deprivation quickly makes her indispensable at home. Inhabited by an ancestral wisdom, Suzu impregnates the simple gestures of everyday life with poetry and beauty. The many hardships, the loss of loved ones, the frequent air raids of the enemy, nothing alters her enthusiasm…

A deadly meteor strike on a planet in the distant galaxies brings destruction and the desperate escape of a young extraterrestrial in a space pod - and is forever separated from her mother and father. On earth, a young girl, Kara, finding alienation in her school and home life, wanders to a nearby lake in dejection only to come across an unexpected friend, whom she names 'Dot-t' - a mysterious new arrival on planet Earth. But others, some with dark intent, are also looking for this exceptional creature while a media frenzy breaks about proof of life on other planets. Hiding Dot-t and staying just one step ahead of pursuers - some well-meaning, some driven by greed, becomes Kara's sole mission. Fleeing deep into a forest she is helped by a seemingly sinister woodsman, himself estranged from his family. This story of flight, hiding and escape is woven around the unique love of a young girl for a vulnerable new visitor to Earth, who soon proves to be more of a friend than anyone else on her home planet. Through the soft touch of a tentacle, Dot-t reaches out to revive our natural responses of tenderness and care. And perhaps draw closer, those who matter the most to us.

The incredible destiny of Angélique: a beautiful girl who found in her love for Joffrey Peyrac the strength to fight injustice and submission in a century plagued by power struggles, inequality and the oppression.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.